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Past Events:

 

Architecture Inside and Out

SAH/SCC Tour: Saturday, May 3rd, 2008

Montecito, California

 

One of the primary elements of architectural design in Southern California is the ability to incorporate the exterior environment. This convention of Moorish traditions—rooms arranged around a courtyard joined by an arcade around a central space—blur the separate typologies of “inside” and “outside.” Filtered through Spanish settlements, this design practice came to define the California style.

Join SAH/SCC executive board member Dennis Whelan for “Architecture Inside and Outside,” on Saturday, May 3rd, in Montecito. We will examine these ideas through three superb examples of Spanish Colonial Revival architecture and landscape. Some of the most notable work of the 1920s will be revealed.

This day-long coach tour departs from a central location in the Santa Barbara area at 9:15 AM, and returns to the same location at approximately 5 PM. A gourmet box lunch and event brochure are included in the tour price. Participants will be responsible for their own transportation to and from the Santa Barbara area. Coach capacity is limited, so register early to avoid disappointment. Member price is $139/Non-Member price is $159.

 

Lotusland

The day begins with an insider’s tour of Lotusland, where Ralph Kinton Stevens, an important early nurseryman, had his family home and commercial nursery. Many of the large palms and other trees on the estate date back to Stevens’ time, between 1882 and 1896.

            In 1916, the property was acquired by the Gavit family, which hired architect Reginald Johnson to design a residence for them in 1919. During the 1920s, George Washington Smith remodeled the home and designed additional buildings. The Gavits landscaped their estate, which they called Cuesta Linda, with extensive gardens, described in 1929 as “semi-formal Italian.” Landscape designers were Paul Theine and Lockwood de Forest, Jr., along with horticulturist Peter Reidel.

            Madame Ganna Walska, who purchased the estate in 1941, made no major changes to the buildings. She did, however, make extensive and dramatic changes to the grounds. During the 43 years that she lived at Lotusland, Madame Walska redesigned most of the Gavit-period landscaping and created many wonderful new gardens.

            Most of her energy and resources were poured into making a botanical garden of rare plants using her natural artistic talents to create a fantasy world of exquisite beauty. To accomplish this she worked with a number of landscape architects and designers, including de Forest, Ralph T. Stevens, William Paylen, Oswald da Ros, and Charles Glass.

 

Val Verde

The second stop on the tour will be the rarely seen Val Verde estate (c.1915), planned by Boston architect Bertram Grosvenor Goodhue. Beaux-Arts formal gardens, reflecting pool, and a spare, near-modernist house influenced by Colonial Mexican village architecture grace the property. Val Verde was already an extraordinary place when C.W. Ludington bought it in 1924.

            De Forest worked on a new landscape plan for Val Verde, leaving Goodhue’s geometry and much of the wilderness intact. Of the 1,500 gardens created by de Forest, this is the only one remaining in its original form. Unaltered for almost 100 years, the garden is groundbreaking for its time and is just as relevant today. The garden is a designated national treasure by the American Society of Landscape Architects, and a national, state, and county landmark.

 

Casa del Herrero

The day will conclude with a tour of the Steedman Residence by George Washington Smith, as well as the surrounding gardens and workshop. After purchasing eleven acres in Montecito in 1922, George Steedman selected the area’s premiere architect, Smith, to design this splendid example of an Andalusian-style country house surrounded by artfully planned grounds and gardens.

The house was completed in 1925, and is noted for its extensive use of Mediterranean tile, as well as splendid examples of 13th- to 18th-century Spanish furniture, antique architectural detail, and artwork. Much was purchased by Steedman on buying trips to Spain.

Few of Montecito’s fabled estates have remained essentially unchanged. The Casa del Herrero has been in the hands of the original family since it was first constructed more than 75 years ago. It provides visitors with a glimpse into Montecito life as the Steedmans lived it in the 1930s. The gardens were designed by landscape architects Stevens, de Forest, and Reidel. Completed in 1933, seven acres of gardens are formally designed and maintained in a Spanish Moorish style.

“Architecture Inside and Outside” is a rare opportunity to experience the flora and foundations of California style.

 

 

Contemporary Patrons: Wells in Laguna Beach

SAH/SCC Talk and Tour: Saturday, January 19, 2008

 

The new year welcomes the first in a new SAH/SCC series called Contemporary Patrons. Modeled after our on-going Modern Patrons series, these events are designed to highlight the process of commissioning, designing, and living in a house from the original clients’ point of view. Whereas Modern Patrons looked to those ground-breaking talents that established LA’s Modern legacy, Contemporary Patrons focuses on current practitioners who are investigating the meanings of today’s architecture.

          Please join us on January 19th, 2-4PM, at the home of Jan and Paul Muñoz in Laguna Beach, designed by former SAH/SCC board president Ted Wells. Moderated by board member John Ellis, the talk will feature the homeowners’ journey in creating the piece of contemporary architecture. The event is $15 and open to SAH/SCC Life and Patron members (the program will only be available to the general membership in the event there is space available). See the order form on the back page. Space is limited.

            Ten years ago, the Muñozes purchased what was classified as an “unbuildable” sloping lot on Pacific Coast Highway. Beside the grade and location issues, the lot had access, parking, and height restrictions that would make it a nearly impossible property to develop. They worked with a noted architect on a design for three years, but still had no approvals from the city. And worse, the proposed design had been compromised to such an extent that the landowners had resigned themselves to building a house they no longer loved, selling it, and moving on.

            They started a process of finding a new lot for a new house and had saved a cover of the Los Angeles Times Magazine showing a house designed by Ted Wells. They called Wells, and decided to face the challenge of designing a house on their existing lot. The house was completed in December 2005.

            Known to many at SAH/SCC, Ted Wells was our board president, and leader of many memorable tours; he remains on SAH/SCC advisory board. Wells is the principal at Ted Wells living:simple LLC, in Laguna Niguel, CA. His designs include houses, offices, monasteries, gardens, and neighborhood planning projects throughout the US, as well as restorations of significant historical properties by noted architects such as Henry and Charles Greene, RM Schindler, and Irving Gill. 

            His architecture degree is from USC, and he is currently an architectural guest lecturer at UC Irvine, and taught at Saddleback College in Mission Viejo from 2002 to 2004.

Wells has lectured at universities around the world, and appeared for three years on Home and Garden Television network’s “American Homestyles” series, as well as on numerous PBS educational programs. Wells is writing a book on architect Harwell Hamilton Harris, to be published in 2009, and is a contributing author to a book on Southern California Modernism to be published in 2008.

            The house Wells created for the Muñoz family wanders up the hillside in a series of three boxes made of prefabricated panels of Cor-ten weathering steel. The quarter-inch-thick plates of steel are the structural walls of the house. Between the three-foot-wide panels of steel are windows covered by sliding wood screens. The three boxes stack and interlock upon one another around a central courtyard garden and are topped by thin copper-edged roofs that shade gable ends filled with glass. Additionally, the house is environmentally conscious in construction, durable in material, and flexible in plan.

At the core of the house is a two-story airy transition room with a cantilevered steel stair and a 13-foot-high sliding hangar door to the courtyard. On the upper floor are the main living areas and a wide ocean view. The level below contains two bedrooms, a bath, and studio. The lowest level, shielding the house from PCH, contains a guest bedroom, bath, and office. Steel, wood, glass, concrete, and boulders combine in a form reminiscent of an old barn, but one made of elegantly crafted material with daring structural design.

            Throughout the house, the repetition of the panelized structural system of Cor-ten steel panels asserts itself. On the interior, each prefabricated panel is inset with finished materials of waxed Masonite, smooth cork, or muted-color laminate. The floors, of cork or polished concrete, are simple to maintain, unaffected by sand from the beach, and are warmed by radiant heating. At the center of the living area, a freestanding wall of bookcases and closets defines the space and is anchored by two fireplaces of thin horizontal brick.

            Today, the house is a single-family dwelling for Mr. and Mrs. Muñoz and their teenage son, along with spaces for their daughters and grandchildren, who frequently visit. There is a separate studio workspace for the couple: Mr. Muñoz is a design engineer of micro-medical devices, and Mrs. Muñoz is a fabric artist.

            But these contemporary patrons want their house to adapt and change as their lives will, so the house is designed to convert to two or three independent dwellings, if needed, for multi-generational living. 

Join us for the inaugural Contemporary Patrons event, for an afternoon of exploration into what it took to create this work of architecture overlooking the Pacific.

 

 

 

Call for Proposals

Society of Architectural Historians 62nd Annual Meeting

Pasadena, California, April 1–5, 2009

 

Members of the Society, representatives of affiliated societies, and other scholars who wish to chair a session at the 2009 SAH Annual Meeting in Pasadena, CA, are invited to submit proposals by January 2, 2008, to Prof. Dianne Harris, General Chair of the SAH 62nd Annual Meeting, Department of Landscape Architecture, 101 Temple Buell Hall, 611 Lorado Taft Drive, Champaign, IL 61820; harris3@uiuc.edu; 217.333.7727.

As membership in the Society is required to present research at the annual meeting, those wishing to chair a session or deliver a paper who are currently not members must become an SAH member before October 19, 2008, also the deadline for fellowship applications.

Since the principal purpose of the annual meeting remains that of informing the Society’s members of the general state of research in their and related disciplines, session proposals covering every period in the history of architecture and all aspects of the built environment, including landscape and urban history, are encouraged. Sessions may be theoretical, methodological, thematic, interdisciplinary, pedagogical, revisionist, or documentary in premise and have broadly conceived or more narrowly focused subjects. In every case, the subject should be clearly defined in critical and historiographic terms, and should be substantiated by a distinct body of either established or emerging scholarship.

            Proposals of no more than 500 words including a session title should summarize the subject and the premise. Include name, professional affiliation (if applicable), address, telephone, and fax numbers, e-mail address, and a current CV. For examples of content, consult the “Call for Papers for the 2008 Annual Meeting in Cincinnati” published in the April 2007 issue of the SAH Newsletter. Proposals and CVs should be submitted, if possible, both by mail and by e-mail. E-mail submissions should include the text of the proposal in both the body of the email and in the attachment.

Proposals will be selected o­n the basis of merit and the need to organize a well-balanced program. Proposals for pre-1800 topics and topics exploring the architecture of the Pasadena region are especially encouraged, as are those dealing with related fields of urban and landscape history around the world. Since late proposals cannot be considered, it is recommended that proposals be submitted and their receipt be confirmed well before the deadline. The General Chair cannot be responsible for last-minute submissions, electronic or otherwise, that fail to reach their destination. Authors of accepted proposals will be asked to draft a more concise Call for Papers of not more than 300 words. This will be distributed and published in the April 2008 SAH Newsletter. One or two open sessions also will be organized by the General Chair.

 

 

Centering on Art Center

SAH/SCC Members’ Celebration

Saturday, December 1st, 2007 2-4PM

 

Please join SAH/SCC for the annual Members’ Celebration on Saturday, December 1st, 2-4PM, at Art Center College of Design’s Hillside Campus in Pasadena. We’ll meet at the Faculty Dining Room in the building designed by Craig Ellwood. Attendees will learn about the history of Ellwood’s design, as well as future planning and development growth for the college. As always, our Members’ Celebration is free to SAH/SCC members in good standing. To reserve a spot, use the form on the last page, call 800.9SAHSCC, or email info@sahscc.org. Walk-ins are always welcomed.

The featured speakers are Art Center’s Dana Hutt, Director of Architectural Documentation and Special Projects (and a member of SAH/SCC), and Patricia Oliver, AIA, Senior Vice President of Educational Planning and Architecture.

Having operated in the City of Los Angeles for more than 40 years, Art Center acquired property in the Linda Vista neighborhood of Pasadena and opened its doors in 1976. Situated on 175 wooded acres, the main building, designed by Craig Ellwood Associates, is a 217,000-square-foot structure providing space and facilities for the College’s approximately 1,400 fulltime undergraduate students. The building’s stark steel-and-glass design has been recognized by the City of Pasadena as a Designated Historic Property. The Ellwood building has been described by writer Joseph Giovannini in a 2005 article in Architectural Record as a “svelte, Miesian, bridge-like structure that spans a gully in the Linda Vista Hills above Pasadena. Embodying a pristine, idealized vision of architectural beauty, this essentially classical building in bucolic seclusion represents the Modernist version of the ivory tower.”

Ms. Hutt will speak on the history and future conservation efforts of the Ellwood Building, while Ms. Oliver will talk specifically about the Art Center’s Master Plan, which took more than seven years to develop and is now in the year-long planning process at City Hall. The scope of the 25-year expansion plan includes building a 48,000-square-foot Frank Gehry-designed Research Center, maintaining more than 145 acres of the 175-acre site as natural open space, and creating new outdoor plazas for meetings and events, as well as renovating and remodeling the Ellwood building. Art Center has, to date, raised $67.5 million of a $75-million capital campaign. 

The Hillside campus is located at 1700 Lida Street in Pasadena. Refreshments will be provided. Parking is available in the student parking lot located at the southern end of the campus. The Members’ Celebration is free to current SAH/SCC members, and $10 for non-members (applicable toward the $45 membership fee for those who join on or before December 1st).

 

 

Prefab Lite

SAH/SCC Tour and Talk

Saturday, October 20th 2007

 

Join SAH/SCC Board Member Jean Baaden for the second of an on-going investigation of prefabricated structures in Los Angeles on Saturday, October 20th, 2-4PM. This tour is intended for a limited number of Patron and Life members, and is by reservation only. Cost of the event is $10, and space is limited.

            Prefab Lite—a lecture, slide show, and studio tour—features Jennifer Siegal, known for her work in creating mobile structures that include customized, prefab Modernist homes. She is the founder and principal of the Los Angeles-based design firm Office of Mobile Design (OMD), which is dedicated to responsible sustainable construction and focuses on designing “non-permanently sited structures that move across and rest lightly upon the land.”

The event will feature a tour of the OMD Prefab Show House, which is a product that embraces the advantages of the modern manufactured housing industry—factory production, mass-customization of materials, and repetitive labor practices—combined with the advantages of good green design. OMD’s mobile homes offer eco-friendly traditional materials, such as bamboo and coconut palm flooring, Kirei panels made from Japanese Sorghum plants, and non-toxic Koski panels, along with some newer technologies, such as tankless water heaters, radiant electric heaters, translucent polycarbonate sheets, and an iPort integrated sound system.

OMD’s current designs are rooted in the explorative work of the Mobile Eco Lab and the Portable Construction Training Center developed by Siegal’s initial design/build architecture studios at Woodbury University. The Hollywood Beautification Team used the Mobile Eco Lab, a converted 8′x35′ truck trailer, to inform K-12 children about the importance of protecting and saving the environment. The project emphasized economy of means, ad-hoc construction techniques, and the adaptive re-use of materials. The Portable Construction Training Center was conceived for the Venice Community Housing Corporation, an organization founded to develop and maintain permanently affordable housing for disadvantaged and low-income individuals. A converted manufactured home, the 14′x65′ Portable Construction Training Center was the hands-on classroom in this construction training process.

Siegal’s projects are featured in her book, Mobile: The Art of Portable Architecture (Princeton Architectural Press, 2002), and have been published in more than 100 books, newspapers, and journals, including The New York Times, Newsweek, and Esquire.

Siegal’s work was exhibited at the Cooper-Hewitt National Design Museum’s 2003 “National Design Triennial”; the Walker Art Center’s “Strangely Familiar: Design and Everyday Life”; the 2006 NY Mobile Living Exhibition; and the National Building Museum’s “The Green House, New Directions in Sustainable Architecture and Design” in 2006 and “Reinventing the Globe: A Shakespearean Theater for the 21st Century” in 2007. In addition, her work has been broadcast on CNN, HGTV, and NPR.

Please join us for an exciting opportunity to learn more about Siegal’s innovative design sensibilities, expertise in futuristic concepts, prefabricated construction, and green building technologies.

 

 

Phoenix: Out of the Shadow

SAH/SCC Travel Tour, September 7th-9th 2007

 

 Join Board Members Sian Winship and John Berley for a three-day tour of modern residential architecture in Phoenix. In the Modern Patrons mode, the tour features more than 10 original owners and 15 seldom seen residences.

 

Out of the Shadow—a tour of modern residential architecture in Phoenix—will take place Friday, September 7th, through Sunday, September 9th. The event price of $339 includes three days of coach transportation, visits to more than 15 residences, the opening-night lecture, on-site presentations by experts, an elegant sit-down luncheon on Saturday at Lons, and gourmet boxed lunch for Sunday. Participants are responsible for their own air travel and lodging. SAH/SCC has reserved a very limited number of hotel rooms at the restored Hotel Valley Ho (Ed Varney, 1956) for $169 per night (regular price $259). The program will be staged each day from this location. Tickets for this event are limited and as of printing we are at 75% of capacity. The deadline to purchase tickets and obtain hotel reservations is July 30, 2007.

No other architect of the 20th Century exerted as much influence on the profession as Frank Lloyd Wright. In this wild and uninhabitable landscape in the 1930s, Wright found inspiration for his ideas, a blank canvas on which to apply them, and a renegade spirit of the West that suited his “learn by doing” approach. By the early 1960s, a number of key ingredients came together in the Phoenix area empowering a group of local architects to test the boundaries of the international style and search for a regional modernism in the desert. The work of Blaine Drake, Paolo Soleri, Calvin Straub, Bennie M. Gonzales, Al Beadle, Edward B. Sawyer, and Will Bruder will be investigated on this tour.

The event begins Friday evening with a lecture at the Phoenix Museum of Art (Tod Williams/Billy Tsien and Associates, 2006) and will be followed by two full days of residential touring. Benefiting from the presence of so many original owners, the tour will draw inspiration from SAH/SCC’s popular Modern Patrons program and include discussions with original owners.

Participants will be treated to the works of Case Study House architects including Al Beadle (Case Study Apartments #1), Calvin Straub formerly of Buff, Straub & Hensman (some never-before-seen homes), Paolo Soleri, and contemporary master Will Bruder. Plus, tour-goers will be introduced to a series of nationally and internationally recognized modern architects whose work deserves acclaim and rediscovery: Blaine Drake, Bennie M. Gonzales, Edward B. Sawyer, and others.

 

 

A Block in Glendale

SAH/SCC Tour

Saturday, May 19th, 2007

 

SAH/SCC is pleased to announce A Block in Glendale, a one-day tour showcasing the diversity and originality of Glendale’s residential architecture. By focusing on a very small but extremely high-quality area, tour participants will understand the richness of Glendale’s architecture from the beginning to end of the twentieth century. Glendale, like many of Los Angeles’ neighborhoods, is a microcosm of Southern California’s rich architectural heritage.

            A Block in Glendale—a drive-yourself event—will be held Saturday, May 19th, 10AM-2PM. Tickets are $45 for SAH/SCC members and $55 for non-members, and include snacks and refreshments at the conclusion of the tour in lieu of a box lunch.

            The event will commence at Ard Eevin, an impressive Colonial/West Indies Plantation home built in 1903, which has recently been inducted into the National Register of Historic Places. At this location, former City of Glendale Historic Planner Juliet Arroyo will give a brief overview of the history of the neighborhood before the start of the tour.

            Participants will visit the Baird House by Paul Revere Williams. Built in 1926, this exceptional early example of Williams’ work has never before been open to the public. It features an almost completely intact exterior and interior, with original Mediterranean garden and water features as well as furniture and artwork original to the house.

            The tour also features a remarkable Spanish Colonial Revival residence; a 1950s modernist home by Alfred T. Wilkes; a glass house built in 1973 by Vahran Kevork Jebejian; and a 1960 modernist residence that has recently been remodeled and updated by the design firm Built.

           

 

Downtown Santa Monica

Walking Tour

Saturday, April 14th, 2007

 

SAH/SCC members are invited to participate in a special downtown walking tour of Santa Monica created by the Santa Monica Conservancy (SMC) on Saturday, April 14th, 10AM-12PM. In approximately two hours and six blocks, the walk traverses more than 130 years of Santa Monica history, from its Wild West frontier beginnings to the sophisticated metropolis of today.

Buildings featured on the tour encompass diverse architectural styles, from the Victorian through Spanish Revival, Art Deco, and early Modernism, including:

§  The Rapp Saloon, also the first city hall, built in 1875, the year the city was founded. Having passed through many adaptive reuses, today it is incorporated into the American Youth Hostel facility.

§  The Majestic Theatre, later the Mayfair, the citys first theater built to showcase the nascent film industry, which used the city for film locations.

§  The Keller Block, a splendid example of Romanesque Revival architecture.

§  The Builders Exchange, a restored Churrigueresque/Spanish Revival building, with intact decorative interiors.

§  The Bay Cities Guaranty Building, the citys first skyscraper, a soaring Art Deco landmark designed by the prominent firm of Walker and Eisen.

§  The El Miro theater, an exuberant Art Deco/Streamline Moderne creation that became the centerpiece for the revitalization of the old mall into the Third Street Promenade.

SMC is debuting this tour in April, and is making the 14th a special SAH/SCC event, offering members the SMC price of $5. Reservations are required, and should be made by April 10th by calling 310.496.3146, or by emailing rsvp@smconservancy.org. Please mention that you are an SAH/SCC member, and provide name, number in your party, contact information. Remember to mention the SAH/SCC April 14th tour date.

Tours depart from the Youth Hostel at 1436 2nd Street at 10AM. Parking is available in the city parking structure across the street. Wear comfortable walking shoes. (Note that this tour is not suitable for young children.)

SMC, a nonprofit organization, was founded in 2002 by residents who were concerned about the accelerating loss of the citys historic character. The organization is dedicated to raising awareness of Santa Monicas irreplaceable architectural heritage and providing a collective voice for the preservation of the city’s historic assets.

 

Hooray for Hollywood History!

 

Hollywood. It is a place, it is a state of mind and in May it takes center stage as the host location of the 32nd Annual California Preservation Conference, held May 3-6, 2007. The California Preservation Foundation, in partnership with the Hollywood Arts Council, Hollywood Business Improvement District, Hollywood Chamber of Commerce, Hollywood Heritage, and Office of Historic Preservation-California State Parks, will host this four-day Conference spotlighting the best of historic preservation in California.

The conference includes more than 50 sessions on key issues facing Californias historic, cultural, and natural resources. This years Educational Tracks include:

   Hollywood: A Theater for Preservation

   What is Old is New: Conceptualizing A Remake (Adaptive Reuse)

   Modern Masters on the Red Carpet (Modernism)

   Acting Together to Protect the Past (Legal/Advocacy)

   On Location: Cultural Landscape Makes the A List

Tours and mobile workshops will highlight Californias architectural and cultural heritage of Hollywood, from the world-famous Hollywood Boulevard and its vast resources, to historic film studios and museums, to Hollywood homes (including a troika of Frank Lloyd Wright-designed landmarks).

Conference headquarters and attendee lodging will be at the historic Hollywood Roosevelt Hotel, a 1927 local landmark rehabilitated in 2005. The history and allure of Hollywood linger here and it is a luxurious treat for accommodations, especially with the special Conference discount. Registration and conference information is available at www.californiapreservation.org or at 415.495.0349. Register for the entire Conference, a single days activities or special events. Registration runs through April, with early-bird discounted registration through March 26th.

The California Preservation Foundation, founded in 1976, is Californias only statewide non-profit historic preservation education, advocacy and membership organization. It is the mission of the foundation to educate and advocate for the preservation of Californias diverse cultural and architectural heritage.

 

 

Libya and Tunisia:

In Search of Ancient Splendor

SAH/SCC Talk

Sunday, February 11th , 2007

 

Please join architect, world traveler, and SAH/SCC Advisory Board Member Stephen Harby on Sunday, February 11th, 2-4PM, for Libya and Tunisia: In Search of Ancient Splendor and the Far-Flung Outposts of Empire, an illustrated talk. The talk takes place at the Santa Monica Public Library at 601 Santa Monica Boulevard. This event is free, but reservations are needed. See back page of newsletter.

Libya has long beckoned to the intrepid traveler in search of spectacular landscapes, some of the best preserved Greek and Roman cities, and a culture that has remained distinct from the increasingly more homogenized modern world. Until recently it has been out of reach to most travelers-and especially Americans-but that has changed, as the government of Mohammar Qadaffi now realizes the enormous potential for tourism the country possesses. Harby is planning a tour of the country in March, and will give a preview of the trip.

These two countries were once the breadbasket of the Roman Empire, and offer today some of the best preserved and most dramatically situated of ancient sites. Leptis Magna, Dougga, Sabratha, and Sbeitla were all wealthy colonial outposts and flourishing market towns. In spite of being off the beaten path following the collapse of the Roman Empire, they have remained in relatively good states of preservation. In Tunisia, and to some degree in Libya, the next wave of settlement in the Islamic period produced notable architecture. The Tunisian city of Kairouan is considered among the four holiest Muslim places (joining Mecca, Medina, and the Dome of the Rock in Jerusalem), and its great mosque is the oldest place of continuous Muslim worship.

Libya, following the collapse of the Ottoman Empire, became an Italian colony in the early 20th century. It was the scene of brutal domination by Mussolini, who left behind a rich collection of historically derivative modern buildings intended to evoke and reestablish the greatness of the Roman Empire.

This lively slide talk will take place at the newly built Santa Monica Public Library designed by Moore Ruble Yudell, recipient of the prestigious 2006 Architecture Firm Award by the American Institute of Architects. Opened in January 2006, the library represents a greater civic presence on Santa Monica Boulevard and includes multiple entrances, garden spaces, and window walls to engage users and passers by. Please join us in the multi-purpose room on the second floor. 

 

Authors on Architecture

SAH/SCC Book Signings

 

Lifetime of Winter

SAH/SCC Lifetime Achievement Award Gala

Sunday December 3rd, 2006

 

The Southern California Chapter of the Society of Architectural Historians (SAH/SCC) is celebrating its 30th anniversary. One of the founding fathers was Dr. Robert Winter, architectural historian and professor emeritus at Occidental College, whose achievements will be honored with the SAH/SCC Lifetime Achievement Award. The Award Gala will take place at a candlelit banquet in the elegant ballroom of the Lanterman House (Arthur L. Haley, 1915) in La Canada, on Sunday, December 3rd, 5-8PM. The event is a fundraiser for SAH/SCC. Tickets are $175, and advance reservations are required; see back page for order form. (No tickets will be sold at the door.)

Since its founding, both SAH/SCC and Dr. Winter have realized many accomplishments. Dr. Winter co-wrote with David Gebhard the succession of guidebooks to Los Angeles-area architecture that we all refer to constantly (the edition currently available is An Architectural Guidebook to Los Angeles, Gibbs-Smith, 2005). He has written numerous books and articles on architecture-with subjects ranging from bungalows to fantasy works from California to the Midwest-with a consistently perceptive eye and a good sense of humor.

He has served as adviser on preservation at the state, city, journal, and individual building levels. He has preserved the Batchelder House (1909, 1913) and opened it to countless visitors. He is an internationally-recognized dean in the field of American Arts & Crafts aesthetics.

The Lanterman House is an Arts & Crafts house of reinforced concrete, which some would call a bungalow-or at least a mega-bungalow. However, Dr. Winter (a/k/a Bungalow Bob) insists it is not a bungalow because it has two stories. Whatever its classification, it is a very grand home, and has been restored to what it was at its prime.

The Award Gala will include an open house look at the beautifully restored main floor; wine, music, and hors doeuvres upstairs; and a lovely dinner highlighted by well-deserved tributes to Bob Winter. There will also be a silent auction and plenty of opportunity to chat with other friends of architectural history and fans of Dr. Winter in a classic, not-a-bungalow in La Canada.

 

 

Celebrate Preservation

SAH/SCC Members Celebration

Sunday, December 9th, 2006 2:00PM

 

This year, the SAH/SCC Members Celebration will take place at the historic Charles F. Lummis Home and Garden (El Alisal) in Highland Park, on Saturday, December 9th, 2-4:30PM. Join us for good cheer, good food, good company, and an important Preservation Summit in a truly interesting place.

Although the Members Celebration is free to current SAH/SCC members-as always-there is limited space and parking, so advanced reservations are necessary. See back page for order form. Members may bring a guest for $10, which is applicable to a new membership.

In the 1880s, Lummis walked from Ohio to Los Angeles as a publicity stunt for himself and the Los Angeles Times. After stints on the Times staff and as City Librarian-as well as well-publicized anthropological photo trips among the Indians of the Southwest and South America-Lummis set about building his dream house and monument on the Arroyo. The dining wing has a mission espadaña complete with bell; his get-away-from-it-all study is a round Anasazi-inspired tower. Built-in hand-hewn furniture and a concrete floor reduced house-cleaning to a periodic hose-down. But the details and concepts are pure Arts & Crafts. (Architect Sumner Hunt, a friend of Lummis, has been credited with the finer points, including a vent ceiling in the kitchen similar to that at the 14th-century Palacio Nacional in Sintra, Portugal.)

As editor of Land of Sunshine and Out West magazines, and as founder and key spirit behind the movement to restore the missions, Lummis spearheaded the romanticization of the Spanish past as an essential part of Southern California identity. The Spanish government knighted him for it. He also truly appreciated Native American cultures, which he fought to protect. Cahuilla Indians worked with Lummis and other friends to construct El Alisal. Everywhere, there are references to Lummis romance with the Southwest and its past. The house served as a salon of regional culture, drawing on key figures in the arts, literature, and politics from the turn of the 20th century to Lummis death in 1928. It is surrounded by a water-wise garden containing many native plants, which are labeled for our education and inspiration.

Since 1963, the Lummis Home and Garden, owned by LA City Department of Parks and Recreation, has been operated by the Historical Society of Southern California. Time has taken its toll: the roof leaks, there is no air conditioning in summer and only fireplace heating in winter, wiring is not up-to-date, etc. We will look to our members to discover elements that need repair as we take a close look at this historic and interesting structure. Then we will hear from a panel comprising Denise Spooner, the director of the Historical Society; Anthea Hartig, Western Director of the National Trust; Peyton Hall, restoration architect and director of a preliminary restoration study; and Marc Mariscol, LA City Parks & Recreation. They will speak on the state of the house, the need for restoration, and how best to go about it, followed by an interactive session for ideas and suggestions from SAH/SCC members and guests.

 

 

Winter in the 20s

Saturday, October 14th 2006

 

Meet the venerable historian and SAH/SCC Founding and Life Member Robert Winter, who turns his incisive eye toward the booming decade of the 1920s, which impelled the convergence of Hollywood and architecture that still has resonance today. In The Architecture of Entertainment: LA in the Twenties (Gibbs Smith, Publisher, $39.95), Winter explores this thesis through discussion of city planning, domestic architecture, multi-tenant housing, garden design, and public buildings. These sections are bolstered by introductory chapters on the diverse nature of Los Angeles and end with a look at the influence of Modernism. Examples noted are familiar and beloved: Avalon Casino, Biltmore Hotel, Bullocks Wilshire, City Hall, Fine Arts Building, Hollyhock House, Huntington Gardens, Kings Road House, Lovell Health House, Oviatt Building, Wiltern Theater. Illustrated throughout with some historic photos and documents and augmented by current photography by Alexander Vertikoff, this volume gives Angelenos a fresh look at revered spaces.

 

Chasing Los Angeles

Saturday, September 16th 2006

 

Come meet the indomitable John Leighton Chase, who takes on current Los Angeles architecture in his newest book LA 2000+: New Architecture in Los Angeles (The Monacelli Press, $50). Showcasing 30 of LAs most active architectural offices, the book is a lavishly illustrated survey of progressive projects. Chase discusses the ongoing debate on whether an LA regionalism exists, but does proclaim that there is a special joie de vivre fostered by the fertile diversity of the city. Included are new edifices by international architecture stars Thom Mayne/Morphosis, Frank Gehry, Eric Owen Moss, Barton Myers, and Hodgetts + Fung. Pointedly, those offices were the incubators for many of the other talents represented, such as Randall Stout, Rios Clementi Hale Studios, Michele Saee, and Daly Genik. Chases always insightful prose accompanies beautiful layouts (by LA graphic artist Lorraine Wild), making this a must-have for those relishing our local architecture stars-and those of the future.

 

Living Pre-Fab

SAH/SCC Tour and Lecture

Saturday, August 5th, 2006

 

LivingHomes, the latest entry into the pre-fab housing boom, opens its inaugural house to SAH/SCC for an afternoon tour and talk in Santa Monica. The event, on Saturday, August 5th, 3-5PM, includes light refreshments and is $10 for SAH/SCC members and $20 for non-members.

LivingHomes, the brainchild of Steve Glenn, offers homeowners an eco-sensitive, high-design pre-fab housing solution. Designed by the venerable architect Ray Kappe, FAIA, the first house, which Glenn calls his own, is meant to act as a model for homes to come. Before developing LivingHomes, Glenn was a technology entrepreneur and a co-founder and board member of the Sustainable Building Council.

All LivingHomes products are designed to achieve at least a LEED for Home silver accreditation and incorporate an environmental program that encompasses both materials and production. Glenns home was installed by lowering 11 modules onto a concrete slab with a 350-ton crane. Installation lasted eight hours. Kappe-designed homes come in four adaptable models, depending on size and program. They all include photovoltaics, grey water systems, certified wood, solar and radiant heating, formaldehyde- and urea-free millwork, movable walls and floor plates for flexibility and adaptability, integrated media technologies, built-in furniture and storage space, and usable living roofs with gardens, fire pits, and other features.

 

Rodney Walker Weekend

SAH/SCC Tour

Saturday, June 10th, and Sunday, June 11th, 2006

 

Join SAH/SCC Executive Board Member Craig Walker for the first tour of the Los Angeles residential work of acclaimed Case Study House architect, Rodney Walker. This is a two-day event (depending on the option you prefer), beginning with a SAH/SCC members-only reception at Case Study House #18, Saturday, June 10th, 3-5PM, in Pacific Palisades. A full day of touring awaits on Sunday, June 11th, 10AM-5PM.

Rodney Walkers early work as a draftsman in R.M. Schindlers office made him a natural choice for Arts & Architectures groundbreaking Case Study House Program. Walkers work is characterized by the creation of aesthetically innovative spaces using experimental materials (e.g., steel, fiberglass, plywood), technologies, and techniques. Walker expands on modernisms essential ideas about dissolving the barriers between exterior and interior space thro